If you can’t be crazy here, then where? – By Charlotte Farhan (upcoming book excerpt)

If you can’t be crazy here, then where?

The first time I arrived at Woodside, it was 1999, mid-summer and I was 15 years old. Woodside was an adolescent psychiatric hospital and I was being admitted as a patient. The hospital was across acres of land, an old Victorian asylum with luscious towering trees, derelict buildings, secret gardens and courtyards and the odd facility still in use, like Woodside, an elderly psych and a lock up for criminal psychiatric patients. It was other worldly, away from everything, well not everything. The hospital was next to Chessington World of Adventures and every so often when the wind caught the sound just right, you could hear people screaming as they rode the roller-coasters, whilst having the time of their lives, it was ironic and very unnerving in such a spooky setting.

When I stepped out of the car the feeling of dread hit me. This was it! I was being abandoned here, without knowing what to expect and so far from that place which was supposed to feel like home, a safe space; maybe this was the safest place for me. The adults I had seen recently seemed concerned that I was a danger to myself.

I stepped into the reception area and noticed a girl sat there. She had very fine curly blond hair tied in a pony tail with loose curls frizzing around her head like a golden halo, her body was painfully thin, and she didn’t seem to be safe with herself either as she too had visible scars. She sat there tearing up a piece of paper, with pieces floating to the ground like sad confetti, I wondered how long she had been here, why was this sad girl so sad. Before she was escorted into a room she gave me the most dejected smile I had ever seen.

I was called into a room, it looked like the interview room I had been in a couple of weeks before, when the police took my statement. Inside there was a large two way mirror a video recorder and a man sat in a chair writing some notes. Sitting down nervously in front of the man I noticed he was probably in his late 50s, with more hair growing from his eyebrows, ears and nose than his head. With no smile or warmth, he said:

“Why do you think you are here Charlotte?”

This question was difficult for me to answer because in answering it I would have to say certain things out loud which were too hard to face, so I simply replied:

“I don’t know”

The man looked at me with one eyebrow raised and omitted a faint exhale of exasperation, I felt the floor fall out from under me, I felt worthless and realised that here, wherever this place is, I wouldn’t be understood either.

“I am Dr Sevett and I am the head psychiatrist here, at Woodside. Please make sure you use your time here wisely Charlotte” he said abruptly.

I had been at Woodside for just under a week, most of the other inpatients were either shy, un-welcoming or needy. I was introduced to a patient called Natalie, a chubby girl with frizzy brown hair, pulled back into an untidy top knot. Natalie was smiley and seemed to be more adjusted than most. She offered me a cigarette, I was excited that we could smoke and jumped at the opportunity. Natalie led me into the grounds at the back of our building, which consisted of an open manicured lawn with a clustered corner of old oak trees. Natalie sat us down in the centre, which felt odd as I was more an outskirts kind of girl, but this seemed natural to her and her confidence comforted me. As we both inhaled our first puffs of nicotine and poison, Natalie leant into me and said:

‘so, do you want the low down on whose who in here then?’

I nodded silently.

‘that girl over there is Louise, she’s an ED girl and you don’t want to get on her bad side’

Natalie said this with dramatic eyes to further her point.

‘ED girl?’ I asked

‘ED. Meaning eating disorder’

Natalie said with a tone that suggested I should have already known this. I didn’t have the guts to tell her that I was also an “ED” girl. Looking over at Louise I could tell that she was withholding food, although some could still be fooled due to the amount of clothes she was wearing.

‘Who is that next to her’ I asked, as I recognised her as the girl from reception with the sad confetti.

‘That’s Chrissy, she’s also an ED girl’

Lucy and Chrissy sat there under the trees as if they were perfectly placed china dolls, however, I felt the glare of Louise’s stair as she sussed me out.

‘Over there is Cane, annoying, but harmless, he has the mental age of a 10-year-old even though he is 16, so that’s why he acts the way he does, you’ll see.’

Cane was a tall and heavy set, about 6ft – he only wore tracksuits in garish colours. His mannerisms were erratic, and his voice boomed throughout the grounds.

‘That guy over there is Alex, he’s 18. He shouldn’t be here, they will be moving him to an adult facility. He has schizophrenia, so he can be very intense.’ Natalie said this with a cautious tone.

Alex stood in a door way of an abandoned building next to woodside, he looked like a Victorian gentleman, he had vampire like skin, almost translucent. His eyes were wolf like, a silvery grey which were brought out by his jet-black hair. He was tall, and his body was slender like a ballet dancer, you could see his muscle definition – he was strong.

“Over there is Jenny, she is weird but the sweetest – she doesn’t speak to anyone, so don’t be offended.’ Natalie smiled as she described Jenny.

Jenny was sat on a bench and appeared to be drawing in a notebook, she had dark sleek shoulder length hair, her skin was Mediterranean looking. Jenny had bare feet and her toes were painted a sparkly purple which twinkled as she wriggled them in the sunshine.

‘why are you here?’ I asked Natalie with hesitation

‘I was diagnosed with clinical depression. I self-harm a lot – but not as much as I did, you?’ Natalie pulled at her sleeves as she said this.

‘Something happened to me, an incident. I was ill before but this, what happened, it broke me and now I want to die – so they put me here.’

A few days later, I entered the day room and saw the nurses un-stacking chairs and placing them in a circle, it wasn’t for our daily group therapy. as we had already done this, as we had done every morning at 9am, so this confused me. We were asked to all take a seat.

“Hello everyone, we are calling today’s emergency group for Jenny, because Jenny refuses to go to School”, a nurse said in her best patronising tone.

This confused me further; school? We were in hospital, why would she have to go to school?

“Jenny, why don’t you want to go to school today?” the nurse asked

Jenny was sat on her chair with her knees up under her chin, her arms were folded in front of her face resting on her knees, with only her exceptionally large doe eyes peering through her hair and over her arms. Jenny didn’t reply.

Nurses, Doctors and some of the patients started to discuss Jenny as if she weren’t in the room. Jenny appeared to be getting smaller and smaller and I could feel the anger inside me get bigger and bigger, before I had time to think words just burst out from my mouth:

“Why does Jenny have to go to school, why are you making her feel bad for being ill, when being ill is why we are all here, leave her alone”.

I felt exposed, I had revealed myself. The doctors were looking at me with disbelief, the nurses looked disapprovingly, but the patients seemed elated. I looked over to Jenny and she was transfixed on me, like a puppy.

Later that day whilst in my room I decided to crack open my prison like window as the humid air felt constricting, but the window was stuck. I began to rattle the window angrily, but before I could lose my cool I saw these beautifully delicate long fingers appear and with complete ease lift the window open. It was Jenny, she stood there in my room like a beautiful ghost. Natalie had told me that Jenny didn’t speak to anyone. Which is why when Jenny Said:

“Thank you, Charlotte”.

I was both startled and honoured.

Jenny and I sat on my bed that afternoon and talked for hours, we chatted like old friends, we could have been “normal” teenagers if someone had just heard us, without knowing our situation and new address. The hazy feeling had left in those moments, I was me, in my mind and my body. With Jenny I was no longer a spectator of these strange events, I was here, and I was with Jenny.

Waking up in my new permanent state, terrified; not knowing where I was, what had happened and why. As my eyes ripped open, ready to escape what they had seen, my heart relocated to my throat, my blood rushing to my legs in preparation – detachment was settling in, nothing was real, including myself. The sun forced itself onto me through my window, not allowing me a second to pretend that that everything I knew was wrong and nothing would be the same again. The sunshine seemed to mock me with its warmth and promise of growth and better days. The birds and their song were not delightful, but instead loud and domineering. The noise of rustling leaves grated on my nerves like finger nails on a chalk board. The truth would slap me in the face and pin me to the bed, I was here, Woodside; I was labelled crazy and damaged, left and abandoned.

There was a knock at my door and before I could even utter a sound a chipper voice said:

‘Charlotte are you awake?’

I unfortunately knew that I was, so just shouted:

‘COME IN’

The door flung open, it was nurse Carry – skipping in with a beaming smile. With a look which matched her personality, wild curly hair, a sun tan which suggested she took long holidays in exotic destinations, or possibly she had just fallen into a vat of orange paint. Her clothes were bright, and she wore as much sparkle as possible, she spoke with a high pitched chirpy voice, however the thing I noticed first was her kind eyes.

At Woodside Carry was my firm favourite, her bubbly, approachable nature was exactly what I needed. A sugar-coated human, which I had little experience with in my 15 years.

‘Charlotte, the nurses need to speak to you, can you come to the office as soon as you are dressed’

I sat up slowly like the living dead, nodding at Carry and then placed my head in my hands as the world was already too intrusive.

‘don’t worry it’s just a chat’ Carry said softly.

But, I was worried; the other nurses, therapists and doctors, the “professionals” were fascists, they were stereotypical of who you would imagine working in a Victorian asylum. I walked to the nurse’s office which was a glass enclosure inside the day room, so that the staff could keep a close eye on us, the patients; or at least to reprimand us – not necessarily to keep us safe. It was an obvious divider between us and them, “them” being the ones who think they are sane and us who are deemed feral loons. Although, if they had been through what we all had, what I had; would they still be on the other side of the glass? Never had the expression, “people in glass houses, shouldn’t throw stones” rung so true to me.

I knocked on the door and a very stern, yet attractive woman answers, it’s nurse Isabelle. As she opens the door the smell of her musky perfume hits the back of my throat, leaving the taste of floral alcohol on my tongue. The sound of normality from the conversations of the other nurses pass through my ears, reminding me of life before.

‘Charlotte come in’ Nurse Isabelle says with distain.

I sit on a swivel chair and feel the unsteadiness jolt me back into reality. Nurse Isabelle looks me up and down with her mouth grimacing, as if I were some smelly mongrel she found in the gutter and was now responsible for. She made me feel dirty, a feeling, along with shame – had become residents in my self-belief.

‘We wanted to have a word with you, with regards to your appearance. We feel that you are dressed too provocatively and that it is becoming a nuisance for the male nurses and doctors and distracts them. Also, you are inviting unwanted attention from the male patients’.

As Nurse Isabelle finished her onslaught of misogynistic bile, I knew then, at 15 that my gender “the weaker sex” would be forever complicit in how boys and men used me, regardless of facts, consent or my age. The clothes in question were regular clothes that most teenage girls wore in the nineties. An off the shoulder, strappy top, jeans – hardly X-rated material.

I continued to sit there, as nurse Isabelle told me how to improve upon myself, exerting her privilege and condescending me with every word that left her lips, I sunk further into my dissociation. As I felt myself float above my body I could see Jenny sat in the corner, staring at me with her big eyes, full of concern for me. Focusing on Jenny’s gaze I allowed the dishonour to wash over me.

Over the next month Jenny and I became inseparable, we had our own inside jokes, we wrote notes to each other everyday to read before bed. Jenny wrote weird and wonderful short stories for me, about the characters who spoke to her, that none of us could see. Her sense of humour was bizarre to say the least, however, I loved it. Sometimes Jenny would find dead insects and would make them the tiniest envelopes to delicately put them in and would give them to me as gifts. She called me her baby beasty or sometimes Sharon, drawing pictures for me of strange vampire like creatures which always had the same eyes. We washed each other’s hair, we took turns to lay on top of one another to feel the comfort and weight of another person, we were everything that we needed.

One day after creative writing therapy Jenny and I sat on the steps outside the reception area. It was another ironic sunny day at the funny farm, the smell of cut grass, the light of mid-summer and the sound of life beyond the grounds. The care free laughter and excitable screams of those at the amusement park adjacent. Whilst I sipped a can of coke and Jenny ate a melted chocolate bar, exasperated I turned to Jenny and said:

‘God, I’m bored, aren’t you?’

Jenny looked at me and nodded and then, in a funny posh voice said:

‘This place is driving me crazy.’

We both looked at each other and couldn’t stop giggling.

‘Let’s see how far we can go.’ Jenny whispered.

‘Where’ I said with a baffled expression on my face

‘Over there’ Jenny pointed to a field beyond woodside and the lock up ward. I had no idea what was beyond that point.

Once we got there we realised it was a corn field, it glistened in the sun like a sea of gold, as the wind moved through the corn it created waves. We had already gone further than we were allowed. Jenny found a small hole in the wired fence which we both managed to squeeze through. We were both badly dressed for the occasion, Jenny was barefoot, and I was wearing a long bohemian skirt, I had to pull the skirt up to around my waist, so I could walk through the field without getting caught by the stems of corn. The field seemed never ending, it dipped into a valley, and at the bottom was an imposing oak tree. When we reached the tree, it was even bigger than we had predicted, it engulfed the light. We collapsed in a heap among the roots, which looked like octopus arms, the earth was cool and peppered with acorn shells. Jenny and I stayed there until the sun set and felt as if we were free from our pasts, our illnesses and them – the ones who wanted to keep us here.

Once we walked back from the corn field and approached the entrance to woodside, I could see Nurse Isabelle waiting at the door with a face that brought on the feelings of being a little girl who was about to be scolded in front of her friends. Nurse Isabelle grabbed Jenny from beside me, as if I were a monster. She began to rub Jenny’s arms as if she was a small child who had just got out of the bath.

‘How could you do this to Jenny?’ Nurse Isabelle screeched.

I felt the need to die, the need to end the pain from being the “bad child” or the “crazy girl” who puts others in danger. I have never looked fragile, as a tall girl with broad shoulders certain assumptions are made. I have always been described as strong, confident, resilient and mature. None of which I have ever felt to be me, so, it was easy for people to scapegoat me when compared to someone outwardly fragile.

‘Do what, what did I do?’ I screamed franticly.

I knew Jenny couldn’t defend me or speak up, this made me look guilty. Nurse Isabelle took Jenny inside, leaving the door to hit me in the face.

A week later I was in my room listening to Tori Amos on my CD player, whilst writing in my feelings journal – something my psychiatrist had me doing. As I doodled a heart with knives piercing through it, bloodied and damaged; the door opened, and Alex was stood in my doorway in his dressing gown. He had no expression on his face, he looked robotic, lifeless. The hairs on the back of my neck stood up, and in turn I stood up and went to close my door – before I could even take a step forward, Alex started to undress. Walking toward me, he opened his gown and revealed his naked body and erect penis to me, it was as if he had pulled out a knife and I knew I would die. Alex grabbed me and pushed his weapon into my groin, disbelief became detachment. How could this be happening again I thought to myself, a “safe place” the doctors said; was this my fault – I was the common denominator. Before Alex had a chance to go any further a male nurse walked past and saw what was happening, the nurse calmly walked over to Alex without even acknowledging me and escorted Alex back to his room. No one ever brought up this incident again, however, later that week locks were fitted on our doors.

My body didn’t feel as if it belonged to me anymore, it was a shameful vessel of trauma, the reason I was here in this strange place, was because I was damaged goods and left behind to be abused further, a level of hell I did not know existed, until then. Ans little did I know that the levels of hell could get deeper and darker.

Several weeks later whilst sitting in the day room, I was staring out of the window, watching the season change. Cain walked over to me and started telling me sexually explicit jokes, he was childlike, which made me feel I could get rid of his advances easily. I stood up and went to walk away, Cain grabbed me and pushed me to the floor, his weight seemed to expel all the air from my lungs. Whilst giggling like a little boy Cain began to undress me – the room started to spin, and my body went limp, flashbacks filled my mind, confusing past and present.

Cain was pulled off me, he had me pinned to the floor and was about to rape me. But, was it my fault. Was this because of me, the questions repeated in my head.

It had been 3 months since I arrived at Woodside and autumn had arrived. In a state of denial and rebellion, my behaviour changed. I became reckless, no longer listening to the “adults”, I began allowing myself to be used by male and female patients, whilst manipulating the vulnerable ones myself, getting them to smuggle razor blades and diet pills from the outside to me. This was now survival. Jenny was my only reason for living, which the doctors took a dislike to, trying to separate us at every opportunity.

One Friday afternoon Jenny and I sat outside the main door to Woodside, watching the doctors leaving for the weekend in the “real world”, back to live amongst the “sane” people. We noticed Dr Sevett, or as we liked to call him “Dr Death”, was walking toward us.

‘Oh God, what does he want?’ Jenny muttered from under her cardigan which she had covering her nose and mouth.

‘Charlotte, we need to see you’ Dr Sevett called over.

Jenny grabbed my hand and squeezed it tightly and said:

‘Remember they don’t know us, we know us’

I smiled at her and squeezed her hand back.

I walked into Dr Sevett’s office and sat down in front of his grandiose desk, Dr Sevett looked down at me over his glasses and said:

‘Now, Charlotte, we have a problem. We feel you are too disruptive to other patients here at Woodside’

I could feel the rejection before it even left his mouth.

‘We are going to terminate your time here, after next week’ he said in a condescending tone.

I started to tap my foot repeatedly, anger rushed through me.

‘why exactly’ I asked through gritted teeth.

‘Well, you cause problems for other patients’ he winced as he said this.

Alex and Cain came to mind, as well as the doctors who complained about being distracted by my “provocative clothes”, and how they thought I was bad for Jenny.

‘I’m ill too, you know’ I said whilst fighting angry tears.

‘maybe too ill’ Dr Sevett said.

My entire existence felt as if it hung in the balance, Dr Death was sentencing me to a life as the “crazy, hysterical girl”. I wasn’t being asked to leave I was graduating from this bedlam with a higher chance of stigma and prejudice and a high possibility of suicide. It was clear to me then, I was not allowed to be the victim, I was only allowed to be the problem.

As I got up and went to leave I turned to Dr Sevett and said:

‘If you can’t be crazy here, then where?’.


If you have any feedback or questions, please fill out the form below:

“Slut” – Art to end the silence on rape culture


“Slut”

is what they reduce us to

“untrustworthy”

in their minds

clear cut

dirty.

Sexuality

is not ours

brutality

from the powers

that be

shame and showers

hypocrisy

A word that has it’s own gender

men are eligible

never the offender

even when they are the violator

women are penetrable

disreputable

This word has no objective

but to stigmatise

oppressive

bias they vocalise

religion and war

the old male agenda

property

we are no more

So instead of this word

use nothing

these lines are not blurred

our bodies remain ours

its just their egos crushing

equality empowers

are you not tired of judging

(Poetry by Charlotte Farhan)


Slut - By Charlotte Farhan
Slut – By Charlotte Farhan

As women or even as girls most of us have been slut shammed. This is a sad fact of our society, a practice which has happened in many forms throughout history, although the term was apparently only brought to life in the new age of social media, with platforms readily available for people to offer their opinions on everything and one of the most prolific of discrimination women face online is slut shaming. With young girls being subjected to this from their pre-teens onward.

A girl or woman has a uncompromising task in society to be both sexy and modest, with the goal post moving back and forth, with men asserting themselves whilst diminishing women.

As well as the patriarchal agenda, internalised misogyny exists within women who themselves can be the harshest critics of themselves and other women. Their have been countless times with my female friends when they have called other women and girls sluts, whores or suggested that they are “asking for it”, these are women in their thirties and in the same breath they will also decide that if they wear “that dress” they themselves will be seen as a slut, or if they sleep with a man “too soon” they will be deemed a whore. It pains me as I know this rhetoric is damaging for us, for everyone.

Certain people are thought to be more “slutty” than others just because they belong to certain ethnicity’s or groups. Such as women of colour, in particular black women – who for a long time have been subjected to the disturbing suggestion that they are “wilder” less tame – by white people and the residual effect is still believed by many.

Sexual assault victims (like myself) can be deemed a slut just for being raped or assaulted with the perception that we must have provoked the attack or act, by wearing certain clothes, red lipstick or just because we were sexually active before hand.

The LGBTQ community can be also deemed more promiscuous or “sexually deviant”, due to archaic beliefs that this community is rooted in perversion.

Th fact is that if you are using the word slut to describe others or yourself then you are contributing to the rhetoric of slut shaming and ultimately rape culture.

Ask yourself why you are concerned by what others do with their sexuality, what they wear or how many partners they have had?

Then ask yourself why some people are exempt from this discrimination, do you judge everyone equally?

And lastly if you are shaming yourself, it maybe useful to find out where this shame originates from, it may have been some one else’s judgement you have held onto and deemed your belief or part of your identity, let go of this by unpacking it, seek support – be kinder to yourself.

If this judgement is your own, of yourself, then possibly you are internalising misogyny and this can be very unhealthy for your self esteem and self worth.

These ideas have not always existed in me, I have had to do lots of work to understand this socially acceptable discrimination. However, it is not a word I use and even if the word arises in me at moments of weakness or self loathing I am able to challenge them and let go.

We can challenge, raise awareness and let go together.


If you have any feedback or questions please fill int he contact form below:

“What was she wearing” – Art to end the silence on rape culture

What was she wearing - By Charlotte Farhan
What was she wearing – By Charlotte Farhan

 


 

“what was she wearing”

is the first question asked

“how could she be so daring”

judging her on her past

“her clothes are provocative”

society proclaimed

“her innocence is impossible”

her gender is shamed

“why didn’t she cover up”

the jury quiery

“she seems grown up”

which makes them uneasy

But still their judgement spills

“this doesn’t happen to good girls”

say the old men looking for thrills

but even “good girls” get raped

clothes don’t invite

however they might be draped

this is not black and white

they want power

not sex

they want to deflower

to treat us as objects

clothes can’t protect us

nor can the word “no”

consent we must discuss

for a better tomorrow.

(poetry by Charlotte Farhan)


When I was raped at 15 my clothes were taken as evidence. I wore a gypsy top (off the shoulder) with some black leggings. When the police said that my clothes would be used as evidence I presumed in my naivety, that it would be in case of DNA samples, which of course was part of it. However, I in no way knew until told that they would be used by the defence – against me. This archaic procedure affected me greatly, I internalised the blame and shame that was being thrown at me, believing that the responsibility was mine, that I had invited this. That women and girls are responsible for not getting themselves raped. I didn’t challenge this until much older, when I was able to see this entire situation from an adults perspective.

If I had been naked would it have been OK to be violently raped and forced to perform sexual acts, leaving me bruised and bleeding, needing surgery? The answer is NO!

If it is my fault for “dressing provocatively” then this must mean that women in modest attire or religious clothing such as the hijab or nikab, don’t get raped? Which is NOT true.

All survivors of sexual violence, assault and abuse, whether they are women, men, non binary or trans – were not violated because of their clothes or lack of. Otherwise we could assume that there is a standard “rape outfit”, a pattern in certain clothing items which were worn by victims. But there is NOT!

For example, “What were you wearing?” the exhibit at the Centre Communautaire Maritime in Brussels features replicated clothing items to those worn by victims of sexual assault. The exhibit states that it wishes to: “create a tangible response to one of our most pervasive rape culture myths” because “The belief that clothing or what someone what wearing ’causes’ rape is extremely damaging for survivors.” Please take a look at the link below.

http://www.independent.co.uk/life-style/rape-victims-clothes-displayed-brussels-belgium-debunk-victim-blaming-myth-a8152481.html

If you have ever thought along these lines, please think again, logically break it down and you will soon see that this is a patriarchal rhetoric which only lends itself to rape culture, WE NEED CONSENT CULTURE!

 


If you have any feedback or questions please fill out the form below:

“She asked for it” – Art to end the silence on rape culture


After the fact

the whispers begin

“she asked for it”

they judge

after our flesh

was broken in

our reputation

a smudge.

Why would anyone

ask for this

they poke fun

our innocense

they dismiss

our wilfulness

they insist.

No one

asks for this.

(Poetry By Charlotte Farhan)

She Asked For It – By Charlotte Farhan

 


 

This piece of art and poetry is the first in a series of art pieces confronting the rhetoric that surrounds victims of sexual abuse, violence, assault and harassment.

At 15 years old I was told by most “you asked for it” when I was violently raped, also at 15 – when admitted to a psychiatric unit (after being raped); I was sexually assaulted twice by two different inpatients, I was told “you provoked that”.

I believed them all, I believed this was true, that I was to blame because  my body was sinful, provocative, shameful or just fair game.

Doctors, nurses, parents, friends, they all said it.

It took so much time. growth and learning to eventually be where I am today; to be able to tell you all, that it’s not your fault, that it wasn’t mine either. That we are not to blame for another person taking advantage of us and violating us.

Consent was not taught in the 1980’s and 90’s. Socialised as girls we understood from an early age that society deemed our bodies to be “of service” to men, children, free labour…

I was told boys and men “only want one thing” and if I wanted a boy or eventually a husband, I had to give it to them, to keep them happy and myself relevant.

It is very easy for those unaffected to judge, they can continue their naive ideas that rape and sex are the same, that rapists and abusers are monsters – not “normal” everyday people. Never challenging the simplistic ideas we have carried through from a time when women were considered property everywhere and that their fathers owned them, eventually being given to their husbands.

No autonomy – just a body.

For anyone reading this, male, female, non-binary or trans. You didn’t ask for it – not literally, subtlety or subconsciously. You didn’t cause this, nor deserve it, this was done to you by a criminal who broke the law and broke every decent moral code there is. They did this. NOT YOU!


If you have any questions or feedback on this work, please leave a comment below by using the form.


How the World Silences Survivors of Sexual Abuse, Assault and Harassment – Me Too and Shame

As a survivor of child sexual abuse, rape and sexual assault there is never a day that these things are not brought up by the world around me. From rape jokes, depictions in literature and on screen, news stories about sex offenders and those who perpetuate and uphold rape culture. On top of this there are flashbacks, nightmares, and suffering from post traumatic stress disorder to contend with. This is torture, however it is the reality of victims who have survived.

Recently an old campaign was brought back to life after the revelations from the victims of Harvey Weinstein and his continued sexual offences were brought to light. The movement is called Me Too (#MeToo) and was started 10 years ago by Tarana Burke – to unify those who’ve been victimised by sexual assault.

“It was a catchphrase to be used from survivor to survivor to let folks know that they were not alone and that a movement for radical healing was happening and possible.”

“What’s happening now is powerful and I salute it and the women who have disclosed but the power of using ‘me too’ has always been in the fact that it can be a conversation starter or the whole conversation – but it was us talking to us,” – Tarana Burke

As a survivor who survives by using my trauma to educate people about sexual offences and offenders and who shares to help other survivors feel less alone through my art and writing, it was only natural for me to support the movement and join in. It felt odd as there was a sense of relief that I was not alone and that others were speaking out – however there was also the realisation of just how many #MeToo statuses I was seeing in my news feeds across social media platforms; not being surprised by these revelations as I am very familiar with the truth of how prevalent these crimes are.

Then the usual erasure started. Victim blaming was loud and clear, with those who have never experienced these crimes and trauma chiming in with their privilege – mainly white able “feminists”, such as The Big Bang Theory star Mayim Bialik. Mayim arrogantly used her platform to victim blame and projected her own opinions on those (who are in fact survivors) to suggest modesty protects against sexual offences, that not being “conventionally attractive” could also protect you.

Read the full article here

In response many survivors took to twitter to criticise this blatant ill informed and damaging piece.


As well as this many of us (the survivors) were subjected to people criticising those of us who had used the ME TOO hashtag, saying it was attention seeking, a “trend” and even people making comments such as:

“I hate people jumping on the bandwagon, with their #MeToo victim mantra”

or trivialising the movement by suggesting that women only feel harassed when they don’t fancy the man harassing them.

Fashion Designer Donna Karan was quick to blame women for their assaults and harassment by stating:

“How do we present ourselves as women?” Karan was reported as saying at an awards ceremony Sunday evening in response to a question about the accusations against Weinstein. “What are we asking? Are we asking for it? By presenting all the sensuality and all the sexuality? What are we throwing out to our children today? About how to dance, how to perform and what to wear? How much should they show?”

“It’s not Harvey Weinstein, you look at everything all over the world today, you know, and how women are dressing and what they’re asking by just presenting themselves the way they do. What are they asking for? Trouble.”

Far-right hate preachers such as Katie Hopkins used survivors (as she often does) in order to further her prejudice campaign against Muslims, as she “believes” that rape and child molestation are crimes perpetrated by Muslims and mainly against white girls.

As well as this (which is her usual rhetoric) she went on further to suggest the women who have come forward, have exchanged sex rather than being subjected to rape, assault and harassment. Clearly stating she herself is NOT a victim of sexual violence – begging the question, why comment? Well it is a simple ugly truth, Katie Hopkins uses suffering to gain financially and has no remorse for who she affects as she is blameless with her arrogant (teenager) style inability to be held accountable, shrugging her actions off, suggesting always that it is the “other” who is wrong or to blame. Many on the far-right of the political spectrum use survivors (especially children) in order to scaremonger and portray the white supremacist ideas that people of colour are feral and are more likely to rape, steal and murder. Katie’s agenda is to ban Islam, stop refugees from seeking asylum in the UK and to flip the reality of white privilege and suggest that “white genocide” is on the cards. This is why she uses the fear of sexual violence and child molestation as pertaining to certain ethnic groups over others in order to divide – but mostly for fame and capital gain.


The movement was also evolving and most of the community were quick to offer support to one another, as well as addressing the issues such as the inclusivity of men, trans and non binary people, remembering that often these are the most unlikely to come forward or have the platform to express their trauma. We addressed the issue that the movement was misquoted as being started by ALYSSA MILANO when in fact it was started by Tarana Burke as stated at the beginning of this piece, which left many rightly angry that the voices of black women and women of colour were being pushed further down and not being given the credit when it was due. Reminding us all further that #BlackLivesMatter is still a very necessary movement. We also made sure to include those who are unable to voice their #MeToo and I reminded people that there are also the children (like I was) who aren’t even aware that they too are victims, unaware that they have been abused, still being abused and who remain voiceless.

Another side emerged due to the movement – where certain survivors were criticising other survivors for taking part. My heart felt heavy reading the statuses and comments projecting their pain and anger toward those of us who have been speaking out and those who (for many it was the first time) shared their story, only to be met with one-upmanship making those who shared retreat into the shame that we are all to accustomed to. When these games are played within the survivor community they can be misunderstood and met with understandable hostility.

To the survivors who were doing this:

No one is denying that what happened to you was terrible. You have been through hell and back and probably find yourself in a purgatory like state often. However you must try not to allow yourself to be goaded in to proving your trauma. You don’t have to justify your story with evidence or ask for others to do so either. We are all hurting and the invalidation that we have endured is infuriating and the feeling of being disbelieved and unheard can send us into a panic, triggering the emotions felt at the time we experienced the trauma. This I believe can be a feeling of such isolation and desperation that jealousy can rear its ugly head, when hearing of others and their stories – especially if it is perceived the other individuals are being heard and validated, isolating you further, making the bait of competition or minimising the other very tempting. This is understandable and I admit that in my twenties feeling jealous of the survivors receiving more support from crisis and health services, those who had families who were comforted, protected and those who were not left disabled from their experience, made me feel jealous and angry. This was misdirected anger on my part, not yet strong enough to realise that I was in fact a victim; my ability to protect my abusers in my mind and see myself as the problem was only dismantled in my early thirties. I finally saw my sexual abuse, rape and sexual assaults from the eyes of an adult, not the child who had no idea what consent was and just wanted to be loved. Allowing myself to finally direct my anger to my predators and the rape culture in which we live in, through my art and writing aiding in my continuous recovery, giving me purpose in order to live each day. This is my process.

The #MeToo movement is a way for us to feel less alone, it is for us (the survivors), it is not for anyone else. People will always chime in as social media allows us all to voice every thought that rattles around in our heads. The victim blaming, erasure and triggering through abuse is a serious risk to those suffering from trauma. Your safety is important! Please do not share if you do not feel strong enough. Even though people assume I am very strong due to the fact I am open about my story. What isn’t often understood or known about me is that it took me 15 years to accept what had happened. The fact that my trauma started in childhood means it has been something I have always known, my abuse started at the age of 4 – a life without abuse is not something that exists for me. There are times when protecting myself and stepping back from my activism, art and writing is all that can be done in order to stay safe. Especially when trolled on social media by people who wish to abuse me further by using my experiences against me and to even threaten me at times.

We know better than most what abuse is and the fact that when we speak out – we are abused further, is the reality of the world we currently live in. The hope is that through education in schools on consent, that addressing patriarchal systems and toxic masculinity, allowing survivors the space to tell their stories safely, that mental health services will do better, that justice systems do not use character assassinations and arbitrary details of the victims life as the key defence, that less stigma is given to those suffering, that the rhetoric of disproportionate “false rape” claims does not over shadow the prevalence of survivors,  that we support the marginalised within survivors – people of colour, mentally ill people, people with disabilities, religious minorities, trans people, non-binary people, men and children; if we are able to start with these things then progress will come. However the need for allies who are from the  most privileged groups in our societies and who have the biggest platforms is needed and their silence or silencing of others is telling.

We don’t owe the world our stories, our lives are not “inspiration porn” and our suffering is not a currency to be used to further hate and this is only when we are believed. When we have to prove our trauma because YOU choose to believe the abusers or victim blame us – you become part of the problem, you facilitate the rapist, the child molester, the sex offender. You give them the signal that this is still acceptable and that their accountability is not an issue. Society tells YOU that the risk of a false accusations of rape is more harmful and a higher risk than actual rape, that clothes determine whether or not “they asked for it”, that men and boys can’t be raped or sexually abused, that to be a sex offender you have to appear to be a monstrous being – when the proof is all around us with well loved “nice guys” being exposed as some of the most harmful predators; such as Bill Cosby, Jimmy Savile and Rolf Harris. Or people excuse behaviour due to “genius” with men such as Woody Allen or Roman Polanski. The world is full of examples of how rape culture prevails and how survivors are pushed down – making us some of the most vulnerable people in society.

Next time a movement starts or reemerges don’t trivialise it because it doesn’t mean anything to you – either step back and listen or help. Next time someone is accused of a sexual offence – don’t be so quick to react in their defence, always take time to remember the facts, remember that there is nothing to be gained by accusing anyone of a sexual offence – so why would someone do this. If you begin to victim blame – challenge yourself! If you avoid helping a loved one who is a survivor for fear of saying the wrong thing or feeling uncomfortable – push past this! If you feel the need to ask survivors for more information on what rape culture is, don’t – we do not have to hold your hand, do your own research, we are never rewarded for our emotional labour. Don’t fall for the rhetoric that rape is more prominent in certain races and religions. All I ask from you all is to do better! Unfortunately you never know if you will fall victim next or if someone you love will – in this chaos all that is left is to be kind.


If you have any feedback on this piece, please fill in the form below:


This Body Survived - By Charlotte Farhan
This Body Survived – By Charlotte Farhan

In the Abyss – Art and Poetry by Charlotte Farhan

In the Abyss - By Charlotte Farhan
In the Abyss – By Charlotte Farhan

 

In the Abyss – By Charlotte Farhan

Loneliness

breaks us

no longer seen

so lonely

left

in our minds

tied up

left alone

unwanted

disused

all wrapped up

consumed

in the abyss

self pity

my only company.

 


 

If you have any feedback on this post please fill in the form below:

A Kind of Healing – Art and Poetry By Charlotte Farhan

A Kind of Healing - By Charlotte Farhan
A Kind of Healing – By Charlotte Farhan

 

A Kind of Healing – By Charlotte Farhan

smoke into the night

smoke into the morning

remove

feeling

numb

a kind of healing

memories clutter

dreams smudge

nightmares form

creating

other worlds

mirrors

reflecting the storm

shackled to distraction

narratives of others

re-imagining stories

living through

our screens

blinded

white noise

like screams

sleep

is not peaceful

sleep

it does not recharge

sleep

opens wounds

scars

replaying

old trauma

faded

and cracked

smoke fills my view

smoke keeps me amused

inhaling

a remedy

a pass

to myself.

 


If you have any feedback on this post please fill in the form below:

Do you reinforce the idea of the Rape Myth?

Living in this world as a victim who survived sexual violence, assault and child molestation I have had to learn from an early age that the systems of power and society are against me due to my gender and mental illness. People speak of you with either a perception of doubt and contempt, a whispered shamefulness – or deem you as a broken shell of a human, with no use; it makes people uncomfortable. These people are the ones that if they read or see a depiction on film/TV similar to your situation, will dissect and find a way to blame the victim, even when it is a child, they do this in front of you – holding on tightly to the idea of the “Rape Myth“.

That night, that house, that girl, that room, that boy, that blood - By Charlotte Farhan
That night, that house, that girl, that room, that boy, that blood –
By Charlotte Farhan

Perceptions of rape and any form of sexual assault or abuse are somewhat still judged by our prehistoric natures, along with murder – this need to defile and desecrate another human is sadly a behaviour which seems to be harder to evolve past. However even though there are sociobiological theories of rape which have been heavily criticised for assuming that only young attractive women are raped or that rape is motivated by desires and sexual needs only; is why this research needs to be considered but not seen as a completed study. We can not argue that rape has been used as a tool by our species. With high status and powerful males enslaving women as their playthings throughout history, with rape being used as a weapon of war to ethnically cleanse or to humiliate the opposing combatants. However the question which seems too complex to answer is whether this is something our species has innately, or is a behavioural component, which due to our long history of patriarchal power has never been challenged – until very recently, as more and more women are emancipated from their male family members.

So why is the “rape myth” still so prevalent today?

This month has been very triggering for most survivors, with Donald Trump admitting he has sexually assaulted women, with Brock Turner being released from his pitifully short sentence and with Ched Evans being acquitted after his family paid £50,000 for information from past lovers of the victim and then brought forward two ex partners and using the victims previous sexual behaviour against her in the case. These three high profile examples of how our world is determined to reinforce rape culture, show that power, privilege and using a woman’s sexuality to discredit her, are all achievable ways that men and boys who have never challenged these archaic ideas can “get away with it”. That they can be given the impression, it is their right, that their future is more important than a girl or woman’s or that women can’t be trusted especially if sexually active. Rape myth

When I was raped at 15 by a boy in my school, many things were used against me – this was back in 1999 in England and even though I had a lot of evidence against him, still it was much more “prove she is not credible” rather than “prove he is guilty”. The fact I had fancied the boy was a big thing used against me, which as a child myself became confusing – when people repeated this to me again and again;

“but you fancied him, you wanted him to fancy you”?

These things were true but did not cancel out the fact he violently raped me. It was 1999 and it was as if people had not ever challenged the idea that:

1) rape has nothing to do with being attracted to someone

or

2) you can’t be raped by someone you fancy, which as an adult, now – I have no problem understanding. I blamed myself for years, thinking

“it was my fault, I fancied him, so he had the right”.

14222250_1247889421920118_1434256253494472869_nHowever the most disturbing of “victim blaming” I experienced was that of my mental illness and disability being used against me – to discredit me by suggesting my ability to understand what happened to me was impaired or that I had done this to myself. Having been severally sexually traumatised vaginally and anally which meant I had to have internal and external surgery on my genital areas, it was clear to the physicians and police examiners that this was from forced aggressive penetration. However this was not what my rapists Mother said – who spread the false information that I had in fact self harmed my genitals to frame and blame him. This spread like wild fire amongst the students at my school, teachers and parents and due to my unstable mental health displayed in school previously – many just assumed this must be true about “that crazy girl”.

There are still people from my school year who are addiment I lied and that I did it out of some sort of “crazy” spite or something to that effect. But one thing has always bothered me about these people, they seem to accept that he was convicted for grievous bodily harm – that he beat me and cut me open with his force and violence, however this to them is not rape or sexual assault, this is fine, because I was asking for it.

Confronting my own Blood – By Charlotte Farhan
Confronting my own Blood – By Charlotte Farhan

My rapist was not convicted of rape, the police told me that this was due to his age – as he was also 15 and the fact that they could not determine and prove a lack of consent (like with so many cases). So he was convicted of GBH and Unlawful Sex – he was put on the sex offenders register and was on a tag for 12 months, but this was still not enough regardless of the outcome for some. It did not matter that I was bruised, bleeding and emotionally broken ready to take my own life, to them I was a whore and an opportunist.

It took so long for me to accept my rape as rape – this was due to our culture, my upbringing and my age. Once able to detach the 15 year old girl from being the primary source of all my information on what happened to me, I was able to look at it with adult eyes, eyes which have now survived and lived.

It was only 2 years ago – having turned 30 and reaching the point that I had lived 15 years on from my assault, whilst doing intense reliving therapy for my CPTSD, that revisiting my memories voluntarily was possible – apposed to flash backs and intrusive thoughts. Through this new lens of awareness I saw 15 year old me held down (face down) crying into the sheets as the boy raped me or of myself choking from forced oral penetration, it was then and only then that all the other details fell away – what I was wearing, that I fancied him, that I had gone into the room voluntarily and that straight after it had happened I had told my friends we had just had sex, to fit in, as I did not understand what had happened to me. These details were not what happened to me, these details were from society’s ideas of girls and women – from a rhetoric that found me (the victim) more guilty than the perpetrator.

You Know You Want It - By Charlotte Farha
You Know You Want It – By Charlotte Farhan

The facts are – I did not give consent and could not stop what happened to me due to fear and force. That until you are in a situation like this, a rape – that did not happen in a dark alley by a scary man, but one that happened by someone you knew, liked or loved, it is then you realise how we do ourselves as a species an injustice. We do not prepare girls and boys for the real dangers – we are not taught about consent and of how important this is. Instead as a girl you are taught you must prevent yourself from being raped or targeted by men, that you are the only one in control of this. Or that you must defend yourself by carrying a weapon or whistle, your told “scream out”, or you are told “cover up” don’t give men ideas or an invitation. Boys are then treated as if they are less responsible when it comes to sexual behaviour, that promiscuity is acceptable and even encouraged in an environment of toxic masculinity, with the idea a girl or woman needs to be “ruined” or “broken in”, a sense of entitlement is continued and facilitated. All the while placing all people who identify as male in one patriarchal predatory box , a box – which if male and you are the victim of rape, then this is not taken seriously,  and is ridiculed or deemed to be a weakness, clamming “real men can’t be raped”.

Despite considerable research and publications in professional and popular journals concerning rape, such myths continue to persist in the minds of the masses. r-drunk-driver-safety-advice-large570

We need to stop:
  • assuming that women and girls are more likely to lie about being raped than being raped. Of course false rape allegations exist, I have even witnessed one myself – however our culture reflects a problematic discourse when addressing this issue. Whichever stance is taken the girl or woman is either a liar, a slut or crazy. Here is a great article on this: He Said, She Said: The Mythical History of the False Rape Allegation
  • thinking women are “ASKING FOR IT”! This idea is ridiculously flawed and contradictory. If in fact “we” are asking for it, then this would mean we were asking for consensual sex or we invited a person to comment on how we look or behave. There is no clothing, age, background, ethnicity, disability or behaviour which lends to the idea “we” are “ASKING FOR IT”.
  • allowing predators to suggest that by having none consensual sex with an individual is doing them a favour as they are deemed not aesthetically conventional in their appearance or are disabled. Beauty and rape have no ties and cause this false idea that you can be too ugly to be raped. I was told this once by a horrible misogynist, who suggested I was too fat and ugly for rape victim. Disabled people are more likely to be taken advantage of as again I know too well. The same can be said about claiming that “you brought them into adulthood”, which is often used as a defence when women rape minors, especially if adolescent. Reinforced by a culture that will pat the boy on the back, for being taken advantage of by an older woman – but one that would react very differently to a girl who is under age, with an older man.
  • Thinking rape is about sex and sex alone. Rape is taking control of someone’s body and autonomy by force. It is not simply a person gets so overwhelmed by desire and can’t control themselves, it is so much more complicated and is never simply explained.
  • Promoting the “scorned woman” narrative, that women and girls get so enraged about being rejected by a man that their little minds overheat and conjure up allegations of rape and abuse for shits and giggles. This is a stereotype of women which has been depicted through history in all manner of literature and now film and TV. The fact that it is so widely believed is proof when you hear women accusing one another of such things. When research shows men are more likely to commit a violent crime after rejection in an intimate relationship. Please read this article: These 14 Women Were Brutally Attacked for Rejecting Men — Why Aren’t We Talking About It?

We need to look at rape as… well just that – RAPE!

People need to understand the fundamental differences between rape and sex and the need for children to be taught about consent couldn’t be more evident, along with the rest of sex education needing to be taught younger and more liberally. But how can you make a difference, simple check your attitudes and beliefs about what you have read and ask yourself:

Have you ever reinforced the rape myth?

 

false-allegations-perception-and-reality-rgb

If you are a victim who survived sexual violence, rape assault or abuse and wish to get more advice or support here are some helpful links:

RAINN : https://www.rainn.org/

Rape Crisis : http://rapecrisis.org.uk/

Pixel Project : http://www.thepixelproject.net/

Sane : http://www.sane.org.uk/


 

If you would like to give feedback, share your views or for any further information on my art, writing or Art Saves Lives International please fill in the contact form below:


 

Deflower – Poetry and Art by Charlotte Farhan

Deflower by Charlotte Farhan
Deflower by Charlotte Farhan
The room lost light in the darkening hour,
faced with the rawness of masculinity,
sheer force of primal desire,
the need to overpower.
Purity is artificial,
confused with naivety,
acts of aggression begin,
no words spoken just acts of taking,
in a flash of violence I cower,
this is my fault – my femininity.
Parts of me were devoured,
like a wolf ripping open its prey,
no culpability,
laying on my back praying to the holy trinity.
This did happen to the wallflower,
washing my skin imagining holy water,
searching for divinity,
this was more than purification,
sobbing in this shower.
Having not lost my virginity,
it was not misplaced,
it was taken,
it is not romanticism,
they cut off heads,
they deflower,
they dis-empower.
Art and Poetry by Charlotte Farhan

 


 

For more information please contact me via this form…

Predatory Mind – By Charlotte Farhan – Art to End the Silence on Rape

Predatory Mind - By Charlotte Farhan
Predatory Mind – By Charlotte Farhan

 

Predatory Mind – By Charlotte Farhan

They – the predators, always in plane sight,
some think they emerge from shadows,
dancing with the devil in the moonlight,
alas most are under one’s nose,
most are known to you or I,
our Fathers, Brothers, partners, class mates,
hard for others to identify,
when others finally see – they deprecate.

They pretend to love you,
but they will push you down to dominate,
negating, hostile, broody – but we make do,
there is no other option with this mental state,
the predatory mind is here – locked in taboo,
memories are tombstones left to desecrate,
no open fields here – to run through,
left dangling on a hook like live bait.


 

Poetry and art by Charlotte Farhan, for any further details please fill in the form below…